NECESSITY: An Ordinary Day

NECESSITY: An Ordinary Day

NECESSITY: An Ordinary Day

Mixed-media Installation, Speculative Product Design, Branding & World Building

Mixed-media Installation, Speculative Product Design, Branding & World Building

Project type

Project type

Individual

Individual

timeline

timeline

2024.12

2024.12

tools used

tools used

Blender, Photoshop, Illustrator, After Effect, Gen-2, Framer

Blender, Photoshop, Illustrator, After Effect, Gen-2, Framer

OVERVIEW

OVERVIEW

A satirical fictional brand that labels the absurd as “essential.”NECESSITY presents a series of product-like objects that are irrational, unsafe, or emotionally troubling—items that should never be consumed or relied upon in a healthy society. By selling these objects as everyday “necessities,” the project exposes a paradox: if such products are truly essential, then the society that requires them must already be broken.

A satirical fictional brand that labels the absurd as “essential.”NECESSITY presents a series of product-like objects that are irrational, unsafe, or emotionally troubling—items that should never be consumed or relied upon in a healthy society. By selling these objects as everyday “necessities,” the project exposes a paradox: if such products are truly essential, then the society that requires them must already be broken.

Framed as a pop-up store composed of a showroom and a storeroom, the installation mimics the familiar language of commercial retail—branding, packaging, display, and product narratives—while quietly undermining it. Each item functions as both a product and an accusation, suggesting that modern life demands constant self-discipline, emotional suppression, and survival tactics just to remain “ordinary.”

Rather than proposing solutions, NECESSITY asks an unsettling question: What kind of world calls these things essential?Through irony, humor, and product-like aesthetics, the project critiques contemporary society’s normalization of exhaustion, anxiety, and over-optimization—cheering up modern people not by comforting them, but by holding up a distorted mirror.

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