Visually, the piece presents rotating, three-dimensional faces composed of deep, layered points. As these structures rotate, the face becomes legible only at brief moments—sometimes barely recognizable, sometimes not identifiable as a face at all. Viewers must spend time with the image, yet even prolonged observation never grants a complete or stable understanding. This deliberate frustration mirrors the work’s central question: How three-dimensional are people and events—and how one-dimensional is our gaze? By exploiting the difficulty of recognition, the piece challenges the assumption that seeing equals knowing, and exposes how incomplete perception often masquerades as certainty.
The title InVisible plays on the dual meaning of in + visible, suggesting that true visibility requires entering deeper—beyond surfaces, beyond speed, beyond first impressions.
